In this article, I will offer the Middle Eastern rhythms of the
past according to a very nice book on theoretical Persian music,
written by Mohammad Banai. I believe that all these rhythms can
be applied by all musicians of the world for all genres of the
world music, not just for Middle Eastern music.
For symbolization of the old rhythm cycles, I use the following
modern notation:
X (accented beat)
x (normal or non-accented beat)
o (silence)
For symbolization, Iranians use their own method with Persian
alphabet, but this doesnt work for most of the people of the Earth,
since they do not know Persian alphabet.
Now it depends on the artists how to interpret the beats (bass
and treble strokes, accented and normal beats) and silences.
Seghal:
The family of 2 beats rhythm cycles (4, 8, 16 and so on)
* PERCUweb proudly welcomes
a new collaborator from Teheran in Iran, Peyman Nasehpour. Mathematician,
philosopher and musician, Peyman has published many articles about
Persian music on Rhythmweb, Drumdojo, Tonbak
Network, Rhythmatism and,
of course, his own personnal
website.